The Colour of Noise (in three parts) Five Days Playing Go-between Konstrukt On the other hand Severine Raga MKH Arvo Vespers 1 Devotion Vespers 1 Doxa
Developing Structures Developing Structures Developing Structures Maelstrom McJAD Songs From a Lorikeet Triadic 1 Triadic 2 Triadic 3 Small Songs Small Songs Vespers 1 Vespers 2

From the installation fields of relations, boxes of jewels: ANU School of Art Gallery, September 2015:

Shatter Push and Pull
Untitled Small Songs Small Songs Small Songs Untitled Untitled Clash
Untitled 2 Primary Grid Untitled 4 Untitled 5 Untitled 6 Florentine Palette Molly's Palette Amundurrgnu Boogie Descending Descending Manuscript Manuscript
Angampentye....Angampentye Bundanon....Bundanon Two Ways McDonald…Untitled McDonald…Untitled McDonald…Untitled Pmere Udepata Utnenge Country History Painting No.1 History Painting No.2 Language Place Reflection Untitled Untitled
Bundanon - Pulipt Rock Bundanon - Single Woman’s Hut – Topos Bundanon - Single Woman’s Hut – Lichens and Moss Bundanon - Single Woman’s Hut – Banksias and Spotty Gum Bundanon - Single Woman’s Hut – Mist Bundanon - Sky Bundanon - Topos Dark Mountain Descent Boxed Landscape The Idea Of North The Idea of North
Dutch Lace Lull Spill Purple Span Ritratto Feminile Ritratto Feminile Feminile Periodic Intrada Vessel Vessel Vessel Vessel Periodic Post Factum Periodic Nothingness

This group represents a selection of oil on canvas paintings made between 1987 to 1989:

Oil on Canvas, 1987-1989 Oil on Canvas, 1987-1989 Oil on Canvas, 1987-1989 Oil on Canvas, 1987-1989 Oil on Canvas, 1987-1989 Oil on Canvas, 1987-1989 Oil on Canvas, 1987-1989 Oil on Canvas, 1987-1989 Oil on Canvas, 1987-1989 Oil on Canvas, 1987-1989


My painting practices arise from a cross-cultural/cross-disciplinary focus. I am interested in how order and randomness, chance and the arbitrary can play out in painting, carried in a conversation between the process of making, relationships of colour, space and notational forms. They are responses to the phenomenological experience: of cultural spaces, of those of sound and paint, of immediacy and improvisation. Manipulating these aspects, constructing and re-constructing, makes for the experience of the unexpected and often a sense of the unfinished at the end stage. The viewer can add her own perceptions to the richness of the experience.


Email: elisabethbodey@gmail.com

Instagram: bodeyliz



Curatorial Projects

Solo Exhibitions

Group Exhibitions